© 2025 SID WHITE-JONES.
ALL RIGHTS RESERVED.
Publication
A selection of works from my exhibition With Edges Like Glass were featured in the eighteenth issue of Al-Tiba9’s Contemporary Art Magazine, a publication dedicated to showcasing experimental contemporary art…
Read MoreBack in March, I enjoyed some university-approved snooping thanks to Kettle’s Yard and Inga Fraser, Senior Curator of the House & Collection…
Read MoreIn 2020, my work was selected for the fourth edition of The Archive Hotel, an Belgian autonomous platform for artistic research which publishes material dedicated to the artist's archive, embracing homage and conflict…
Read MoreMy Daughter Terra an anthology collaboratively produced by Nina Hanz, Betty Brunfaut, Bakhtawer Haider, Kristina Chan and João Villas. It brings together a wide range of international emerging artists, architects, designers and writers engaging with the language and mythologies of environmental responsibilities…
Read MoreIn 2020, I was interviewed by the editors of ICBQ Magazine about a previously unused and untitled body of photographic work. The conversation I had with the editors led me to re-explore the images in question - images which later formed my project ‘Residues’ (2020)…
Read MoreImagery from my series ‘Studies in Still Life and Landscape’ (2017) is featured within the ninth issue of BAIT Magazine; a termly publication founded by Amy Baxter in response to the Cambridge money-burning scandal. BAIT Magazine discusses controversial social issues through opinion pieces, art, photography and poetry. Due to the coronavirus pandemic, BAIT’s ninth issue ‘Online’ was originally released as a digital issue in June but eventually made its way to print in October…
Read More’YEARBOOK 2020’ is a print publication created by Shutter Hub. Sourced from the Shutter Hub exhibition of the same name, the publication features 100 selected works chosen by a selection panel made up of; Tallie Wright, BenQ; Beth Kane, Exposure Photography Festival; Judith van Linden, Fujfilm Original Photo Paper; Sarah Belfort, Newspaper Club & Karen Harvey, Shutter Hub…
Read MoreImagery from my series ‘Dearest Malcolm and Carol’ (2016) is featured within the eight issue of BAIT Magazine, ‘Memory’. This issue required featured artists to submit work which reflect memories in any capacity…
Read MoreImagery from my series ‘Conjunction’ (2018) is featured within Folium Publishing’s latest release; ‘The Scaffold’. The publication brings together twenty-one artists for a study on construction, from internal rigging and support structures to temporal and digital networks that govern the everyday…
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