© 2023 SID WHITE-JONES.
ALL RIGHTS RESERVED.
In September this year I began a year long developmental programme with Babylon ARTS named ‘Babylon Young Curators’. The programme has provided me with opportunity to curate a new exhibition for the Babylon Gallery, one which will explore how archival materials can be utilised within the context of contemporary art…
Read More’YEARBOOK 2020’ is a print publication created by Shutter Hub. Sourced from the Shutter Hub exhibition of the same name, the publication features 100 selected works chosen by a selection panel made up of; Tallie Wright, BenQ; Beth Kane, Exposure Photography Festival; Judith van Linden, Fujfilm Original Photo Paper; Sarah Belfort, Newspaper Club & Karen Harvey, Shutter Hub…
Read More‘Fix Photo Awards 2020’ is an online photographic exhibition hosted by LA Noble Gallery, which centres around the theme of ‘Still Life’. My image ‘Untitled, Still Life’ is currently on display as part of the awards show after being selected as a winning entry by the five guest competitions judges; Shahidul Alam, Laura Noble, Jennie Ricketts, Manuel Rivera-Ortiz & Yvonne De Rosa…
Read MoreThe online exhibition ’YEARBOOK 2020’ which is hosted and curated by Shutter Hub showcases work from over 200 photographers. The show was created in response to the mass amount of graduate shows cancelled this year as a direct effect of the coronavirus pandemic and showcases the work of those who are graduating in such uncertain times alongside imagery by emerging artists and those currently working in the industry…
Read MoreIn March I exhibited a selection of fine-art photographic prints as part of the group exhibition ‘The Cambridge Wide Open’. This exhibition marked Motion Sickness Project’s first-ever open call and featured a range of artworks, all produced by artists based in and around Cambridgeshire...
Read MoreI recently reflected on the inspirations behind my latest project ‘Residues’ (2020) in a written piece for the photographic organisation Shutter Hub. This ‘Close Up’ discusses the symbolism of the humble flower, and how the series’ photographs explore the pain of loss and an obsession with preventing the inevitability of death. The text reads as follows…
Read More‘Everyday Delight’ (Stay at Home Edition) is an online photography exhibition which showcases photography that discovers the beauty in the everyday, finds the magic in the mundane, and looks for the joy in the small things. The exhibition is curated by Shutter Hub and will run throughout April, May, June and July, featuring the work of over thirty photographers…
Read MoreIn the summer of 2019, Rapid-Eye Darkrooms opened The Photobook Café in the centre of Shoreditch, London. The Rapid-Eye tea, aim for the Café to become the worlds largest public library of self-published photobooks and zines whilst also providing a database of the self-published titles that anyone in the world can explore online…
Read MoreThanks to the generosity of Shutter Hub’s Creative Director Karen Harvey, I was recently awarded with a ShutterHub Bursary Membership and I am pleased to have joined their community of over one-hundred international photographers…
Read MoreImagery from my series ‘Dearest Malcolm and Carol’ (2016) is featured within the eight issue of BAIT Magazine, ‘Memory’. This issue required featured artists to submit work which reflect memories in any capacity…
Read MoreI recently visited the exhibition ‘Shot in Soho’ at The Photographers’ Gallery, London. Curated by Julian Rodriguez and Karen McQuaid, the show presents the vibrancy and legacy of Londons Soho district through the eyes of photographers both old and new such as; Anders Petersen, Corinne Day, Daragh Soden, Gebler Davies, John Goldblatt, Kelvin Brodie & William Klein…
Read More”Look, Daddy, I Made A Magazine!" It was wonderful to receive this customised copy of Rotten Magazine’s first volume, a punk-inspired issue which features a daring selection of photographical works from Joshua Gordon, Ciarán Óg Arnold, Dani Lessnau, Ivaylo Donchev & Gorsad…
Read MoreCurated by Susan Bright and Denise Wolff, ‘Feast for the Eyes traces the history and effect of food in photography, simultaneously exploring our appetite for such images while celebrating the richness and artistic potential of one of the most popular, compulsive and ubiquitous of photographic genres’…
Read MoreIn January I exhibited a selection of fine-art photographic prints from my series ‘Transference’ as part of ‘The Art of Watching Art’ at Motion Sickness Project Space, Cambridge…
Read More‘Homelands - Art from Bangladesh, India and Pakistan’, at Kettles Yard, Cambridge is an exhibition curated by Devika Singh with Amy Tobin and Grace Storey, the show features works of photography, sculpture, painting, performance and film by artists including; Bani Abidi, Desmond Lazaro, Iftikhar Dadi and Elizabeth Dadi, Munem Wasif, Nikhil Chopra, Seher Shah, Shilpa Gupta, Sohrab Hura, Yasmin Jahan Nupur & Zarina Hashmi…
Read MoreImagery from my series ‘Conjunction’ (2018) is featured within Folium Publishing’s latest release; ‘The Scaffold’. The publication brings together twenty-one artists for a study on construction, from internal rigging and support structures to temporal and digital networks that govern the everyday…
Read MoreShowing at Offshoot Gallery, London between the 17th Oct - 31 Oct is Bérangère Fromont’s 'Except the Clouds’. The completely monochrome exhibition, curated by Sandrine Servent for Mina Raven, provides an immersive experience by juxtaposing the scale and placement of Fromont’s photographic work…
Read MoreSuperunity is an online platform designed by Photograd, and organisation that aims to showcase, support, and encourage both old and recent photography graduates from the United Kingdom. Thanks to the support of Photograd, I recently took over their Superunity platform and shared two of my more recent projects; ‘Studies in Still Life and Landscape’ (2017) and ‘Not all Fish get caught in the Ice’ (2019)…
Read MoreUncertain States The 10th Anniversary Edition, Issue X was designed ‘to be a vehicle for celebrating and marking the extraordinary contributions Uncertain States has made to the continual development of the medium through the collaborations with writers, artists and academics in the last 10 years’. It was a pleasure to co-edit this issue of the broadsheet alongside researcher and fellow photographer Juneko Haga (Human Interfaces Creative Lab)…
Read MoreImagery from my series ‘Studies in Still Life and Landscape’ (2017) is featured within the nineteenth issue of Storehouse Magazine, ‘Process’. The project explores the commonalities and boundaries between the fine arts and photography. More images from this series are available here on my website…
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